Article Index

Celebrating Cultural Heritage

  • World travelled stage production created by Janet Harbison, featuring the music, song and dance of Ulster in traditional and original music.
  • Concerts included features in New York’s Carnegie Hall; Washington DC’s Kennedy Centre; London’s Royal Festival Hall and Barbican Centre; Birmingham’s Symphony Hall; Dublin’s National Concert Hall; Munich’s Philharmonic Hall.  Also, enjoyed top billing at: Milwaukee Irish Fest; Bonn’s Somerfest; Brittany’s Festival International de l’Harpe Celtique, Dinan; Lorient Interceltique Festival; Irish festivals at Carolan Harp Festival, Keadue and Nobber, and Granard Harp Festival
  • BHO 1st generation Coshcib UFTM 1988 001Numerous national and international television and film features including a PBS Special aired throughout the USA that was published by Polygram as CD and Video (becoming a ‘Bestseller’);
  • Performed the opening of Belfast’s Waterfront Hall and at numerous state occasions
  • Interval feature for BBC Young Musician of the Year and were the prime feature in BBC’s millennium broadcast from Belfast City Hall with Brian Kennedy;
  • Numerous TV features including Blue Peter (3 times), Songs of Praise (with music arranged by Janet for flautist Sir James Galway and the NI Symphony Orchestra)
  • Grammy award winners with the Chieftains 1993 for their “Celtic Harp” collaboration
  • 10 years a highly accomplished stage production featuring over 20 Irish champion harpers aged 7 to 17 years launching the careers of many of the significant harp soloists and composers of today
  • Was the first musical ensemble to bring together (from 1994) Uilleann pipes and Scottish bagpipes, Bodhran and Lambeg Drum, Fifes, Fiddles, Flutes, Concertinas, Singers and Dancers
  • Created a new hybrid of ‘ecumenical’ music drawing from rock, classical and traditional music styles
  • Featured membership from both communities in Northern Ireland, the orchestra was an opportunity for each to learn about the other – to accept, accommodate and celebrate their diversity.
  • Performed to audiences of both communities in Northern Ireland, allowing each to celebrate what was familiar to them and learn about the other
  • Played a significant role in presenting the story of Ulster in music, song and dance to the world at large showing that the past can offer the players and audiences creative opportunities to express their histories, hurts and identities, while building bridges of friendships and reconciliation while sharing great adventures on concert tour
  • Were awarded for their significant role in Peace and Reconciliation in Northern Ireland
  • Was the showcase for the work of orchestra leader, director, trainer and composer, Janet Harbison who saw the opportunity for using the harp to educate young people across the political divide in Northern Ireland
  • Was the most visible project of the work of the Harp Foundation, a charitable trust established by Janet Harbison to support the Orchestra and the harp schools in Belfast, Holywood, Newry, Rostrevor, Derry, Garvagh, Limavady from which the Orchestra members were drawn. Sponsorship was received from the British Foundation for Sports and the Arts, Community Relations Council, Cultural Traditions Group, the Northern Ireland Office and Belfast City Council and the private sponsor Templemore Care Homes. But primarily, the ongoing funding was provided from the Orchestra’s own entertainer’s agency ‘Belfast Harps’ that operated from 1990 to 2002.

 

The Belfast Harp Orchestra and The Harp Foundation (Ireland) Limited

The BELFAST HARP ORCHESTRA is one of the most visible activities of the HARP FOUNDATION or, to give it its full title: The Harp Foundation (Ireland) Limited. The Harp Foundation is a charitable company established in March 1997 with origins dating back to 1985 when the organisation started off as a Harpers' Association. The Harp Foundation was founded with the aim of

Promoting friendship, fun and mutual respect
through music performance, adventure and education

The Belfast Harp Orchestra was founded in 1992 and operated as an independent music association (unincorporated but with charitable status from 1993) until it amalgamated with the HARP FOUNDATION in March 1997, under whose umbrella it is the prime performing group. In 1992 at the time of its inauguration, Janet Harbison, the orchestra's founder and director held the full-time post of Music Curator at the Ulster Folk & Transport Museum. Here she had responsibility for advising, recording, documenting, analysing and educating on Ulster's musical heritage under the umbrella of Education toward Mutual Understanding (from December 1986 to June 1994). Earlier in her life, Janet Harbison enjoyed a successful international performance career with the Irish harp. She quickly identified that in Northern Ireland, which has featured so prominently in the history of the tradition, the harp could serve as an effective teaching tool in bringing people together from both political traditions. In an environment of friendship, mutual respect and celebration, the Orchestra is a model of cross-community co-operation in the spirit of the government's policy of Education toward Mutual Understanding.

Harp playing was practically non-existent in Ulster in the mid 1980s. The tradition had declined significantly since the 1920s probably because its music was not embraced by the folk tradition (harps would have been relatively expensive instruments) and they had been mostly associated with the parlour and Anglo-Irish traditions from the previous century. In 1952, the "Tostal" (post-war festival of Ireland after the style of previous year's Festival of Britain) was chiefly responsible for reawakening Irish culture, and to recognising the economic benefit of a lively national culture in Ireland. In the early 60s, the late Sean O Riada brought old Irish melody to public notice in his incidental orchestral score for the film "Mise Eire". Shortly afterwards, the American Folk Music Revival saw the introduction of plucked stringed instruments (banjos, mandolins, bazoukis, guitars) into the Irish traditional music scene with the younger and trendier folk groups such as the Bothy Band and Planxty. Harps made their entrance into the realms of traditional music in the 1970s with the development of better quality instruments and young innovative and more technically accomplished players. None of these developments were felt north of the border in Ulster's six counties.

Since there were less than half a dozen harp players active in Ulster in the mid 1980s, it was evident that due to its absence, the harping tradition had never become encumbered with the perception that it was the politico/cultural voice of one or other community in Northern Ireland. All other aspects of Ulster's cultural heritage had come to be identified with one or other political voice: "traditional Irish" music was the premise of the Catholic, Nationalist and Irish populus: "classical" and "bands" and "orange" music was the premise of the Protestant, Loyalist and British populus. These "culturally identifiable" voices were manipulated to redefine differences and division by the political leaders of each community, and over the many years of the "troubles", rightly or wrongly, they became established as popular perceptions. Yet, the illustrious history of the Irish harp essentially belongs to Ulster. Some salient points are worth noting:

  • The Irish tradition of harp playing was internationally renowned from as early as the 12th C.
  • It was King Henry VIII who formally established the harp as the emblem of Ireland in the 16th C.
  • It remains in the British Royal Standard as the emblem of the Irish province in Great Britain
  • It was adopted as the official emblem of the Irish nation upon independence and is the presidential seal
  • The motto of the United Irishmen, the Presbyterian nationalists of the 1790s, was: "The harp is restrung and shall be heard!"
  • Festooned with shamrock, it continues from the time of the R.I.C. to be the emblem of the R.U.C.
  • It is contained in the emblems of some of the army battalions in Ulster
  • Most of the famous harpers in history hailed from the northern half of Ireland
  • The single most important historical event in Irish music history was the Belfast Harpers Assembly in 1792

The Harp Revival needed to come to Northern Ireland! Janet Harbison was perfectly positioned to organise a year of Bicentennial commemoration for the Belfast Harpers' Assembly. A committee was set up with founding directors, Janet Harbison, Maurice Hayes (recently retired Head of the Civil Service) and James Hawthorne (Chairman of the Cultural Traditions Group) and a 14-day World Harp Festival was arranged in May 1992. The Belfast Harp Orchestra was launched a few weeks before to show the world at home and abroad that the harp tradition was alive and well and well and truly re-established in Ulster.

There was four years of preparation during which time interest was awakened, funds were raised, harps were bought, tuition was provided, encouragement rained in from all quarters and the concerts were triumphal. When the Chieftains invited the Harp Orchestra to accompany them on tour to the USA, to perform at Carnegie Hall, the Boston Symphony Hall, the Kennedy Centre in Washington, it was evident that the Orchestra would not be allowed to disband at the end of the year. Because of the pressure to answer both needs of the Folk Museum and the burgeoning harping interest, Janet left her post in the Folk Museum in June 1994 to set up the Harp Foundation, to direct its activities and to teach.

In fostering the harp, in the teaching of its history and in its triumphal presentation to the public in the Harp Orchestra's large-scale stage productions, it became clear that its story and music had much to offer the reconciliation process. Through a sensitive and always balanced approach and appreciation of the most politically extreme themes in our musical repertoires, our greatest achievement is that we have diffused political sensitivity in the most aggressive themes and taught the commonness of our experiences of triumphs and tragedy. If the tunes themselves were not dramatic enough, the lambeg drum or Scottish bagpipes were added on one hand, and the bodhran and uilleann pipes on the other. Thus, dealing in an even-handed way, with equal respect, energy and intensity, all cultural voices were included, Loyalist and Nationalist, extremist and moderate. In this way, the Harp Orchestra has actively cultivated a more proud, positive and harmonious image of ourselves for ourselves firstly, and the world at large ultimately.


Chronology

1988 The Challenge: The Linen Hall Library asks Janet to assembly a group of harpers to celebrate their Bicentenary

1992 The Launch of the Belfast Harp Orchestra

April - A First Concert Tour of Ireland

May - World Harp Festival, May 1992 celebrating the Bicentenary of the Belfast Harpers’ Assembly. Featuring in the Ulster Hall with the Chieftains at the Festival’s Opening Concert and featuring with Alain Stifle at the Closing Concert.

July - Tour to Brittany and feature at the Festival Internationale de l’Harpe Celtique at Dinan.  

August - Concert with the Chieftains at the Royal Festival Hall, London and recording of Album “The Celtic Harp”

Tour to the US to Milwaukee Irish Fest, the production of our first commercial Cassette and

October - featuring at the inaugural Hampsey Harp Festival in memory of Dennis Hempson of Garvagh, Co. L’derry.

1993 Tour to the US with the Chieftains, concerts in Boston Symphony Hall;BHO Columba yr

Kennedy Centre, Washington DC; Carnegie Hall, New York etc

March - Concert at Down Cathedral commemorating 1500 anniversary of St.Patrick

Easter - Tour to Edinburgh Harp Festival

June - Grammy Award for Best Traditional Folk Album 1993 with Chieftains for “The Celtic Harp”

July - Top feature at the O’Carolan Harp Festival, Keadue, Co.Roscommon

December - The Christmas Cantata receives its premiere at Fisherwick Church, Belfast and Christchurch Cathedral, Dublin

1994 January tour of Ireland, concerts include The Christmas Cantata at Ballintubber Abbey (Co. Mayo), St.Bartholomews Cathedral, Galway and Down Cathedral

June - Tour to Germany, guests of the Bonn government for Bonn Somerfest.

September - Peace is declared and the Orchestra is invited to Great Britain. First concert at the Whitley Bay Playhouse in Newcastle on Tyne. The phenomenal success lead to:

1995 Expansion! The Harp Orchestra takes on Lambeg Drums and Bodhrans, Scottish Bagpipes and Uilleann Pipes, Fiddles, Flutes, Concertinas and Dancers. Janet composes the “Ulster Symphony”.

June - Janet Harbison is awarded the “Reverence for Difference” award at the “Emys” for her work with the Belfast Harp Orchestra. We move our office into Brookfield Mill on the Crumlin Road sandwiched between the Ardoyne and the Shankill….

November - Launch of CD “Carillon” with Alasdair McDonnell at Belfast City Hall – televised by both TV channels – and tour to Great Britain taking in Leeds, Liverpool, and London’s west end at St.James Church, Piccadilly. This tour caused a media sensation leading to:               

Lots of calls from British Booking Agents! Our fee goes up £250 each phone call! A tour is arranged for March and April, 1995 promoted by Roy Hastings. Tickets sell like hot-cakes until:

º The bombs go off in Canary Wharf and Lewisham and ticket sales disappear.

º The TV shows arranged to promote the tour in February and March: “Blue Peter”,

º “The Old Grey Whistle Test” and “Talking Telephone Numbers”, are all cancelled.

º A number of the concerts were badly affected by the news from Northern Ireland and our album distributor decides not to carry our goods and suggests we change our name.

Autumn  - The senior section of the Harp Orchestra renames itself “The Irish National Harp Ensemble” and goes on tour with the production “Spirit of the Dance”.

1997 -  January Concert with Fieldmarshall Montgomery Pipe Band and Tommy Sands with Vedran Smylovitch, the cellist of Sarajevo for opening of the Belfast Waterfront Hall.

We also launch the Harp Foundation (Ireland) Limited

Drury Communications taken on to manage our PR and Marketing.

March - “Blue Peter”, and we start rehearsing for the premiere of “The Columban Suite”

All year - The Colmcille Suite is premiered and performed in 22 concert venues throughout

Ireland and Scotland with community choirs from both traditions. Final concert in Belfast Waterfront Hall with choir of 500. Also launch of CD “Colmcille”.

From June  - Disastrous relationship with Drury. We have no results from their efforts, weterminate the arrangement and they bring court proceedings against us.

In the financial doldrums, staff is let go, Janet manages the office alone from September. It’s a difficult year but the show goes on.

1998  BHO features in interval film for BBC Young Musician of the Year

May - Launch of Festival of Bards, Limavady

June  - The Belfast Harp Festival moves into the Waterfront Hall

The Junior Orchestra tour to the Scottish Highlands

And we record “Celtic Harpistry” with Polygram

July - The BHO is invited by President Mary McAleese to participate in a 12th Day Celebration at Aras an Uachtarain, Dublin

August  - We film in Lismore Castle, Co. Waterford for American PBS TV Special

Polygram turn the programme into a commercial video production.

 1999 Local concerts and the BHO tours to Brittany to participate at the Festival Internationale de l’Harpe Celtique.

September - Recording again with the Chieftains in Glenarriff

December - Tour to Munich Philharmonic Hall

And featuring in Northern Ireland contribution to BBC Millennium Eve programme with pop singer, Brian Kennedy.

Patrick’s Day, BHO feature at special Millennial St.Patrick’s Day service  with eminent Anglican clergymen from all over the world in Down Cathedral, Downpatrick. BHO personally invited by Bishop Harold Millar.

St.Patrick’s afternoon: BHO feature at Gilford Fairy Folklore Festival at Gilford Castle, also on March 18

St.Patrick’s evening: BHO feature with Bill Whelan and Riverdance in a BBC St.Patrick’s special filmed at Carrickfergus Castle.

May - Our 3rd Blue Peter appearance on BBC

 

Lots of TV Features in Year 2000!  BHO dark sky

Millennium Brian Kennedy
Our last great engagement of the old millennium was featuring with pop star Brian Kennedy at Belfast City Hall for the BBC millennium programme from Northern Ireland going UK wide on millennium eve night.

Millennial St.Patrick      
The Belfast Harp Orchestra had a very busy millennial St. Patrick’s Feast!
In the morning-time, they were invited by Bishop Millar to perform at the St.Patrick’snDay service at Down Cathedral, Downpatrick where over 300 of the world’s most eminent Anglican clergy were present. In the afternoon, the BHO performed at the Gilford Fairy Folklore Festival at Gilford Castle, March 17 (also the following afternoon) and on St.Patrick’s evening, the BHO featured in a special BBC TV programme, including a starring performance with renowned singer Peter Corry, filmed from Carrickfergus Castle celebrating St.Patrick and Ireland’s cultural heritage.

Blue Peter BBC Wales & NHk Japan
Our second feature on Blue Peter was filmed from the Belfast Waterfront Hall in the BBC Millennium “Live Music Now” show broadcast in May; and in June,  the Belfast Harp Orchestra filmed for “Frank Hennessy’s Ireland”, a BBC Wales production. And our appeal is now filtering to the far east with a special feature on the BHO for a Japanese film company NHk which was filmed in September.

Our first "Best of BHO"       
October 10: Release of “The Best of the Belfast Harp Orchestra” compilation album in Germany on the Laika Records label. December 13-18: Major concert hall performances in Germany December 22-24: Concerts in the Basilica di San Martino, Magenta, Italy after which most of our members were marooned in Heathrow airport over Christmas thanks to a snowstorm. Ooops!

Spring ’01     
Unfortunately the Foot and Mouth disease outbreak causes the cancellation of our St.Patrick’s day concerts in Downpatrick, and our tour to the Scottish Highlands in Easter week – so all our energy is directed to a busy Autumn programme around all the major Arts venues in Northern Ireland… and new costumes and image for the BHO.

Year 2002
As life returns to normal after the traumas of 2001, and the BHO is busy performing in the summer with concerts at: Pheonix Park, Dublin (July 21st, a mid-afternoon open air concert in aid of the charity ‘A Nurse for Daniel’ (funding McMillan nurses for families with terminally ill children, set up by Janet’s brother); the finale concert of the Cambridge Music Festival (UK) on August 16th; and at the Camphill Community Glencraig on September 22nd for a world conference of the Rudolph Steiner organization (Janet is the President of the Steiner school in Holywood, Co.Down).

Last festival In Glencolmcille
Our last Glencolmcille Harp Festival took place in Glencolmcille, Co.Donegal the lastweek in July – as the Harp Foundation (our mother company) has a new home in Castleconnell, Co.Limerick in the mid-south-west of the Republic of Ireland.


The Story of the Belfast Harp Orchestra

May 22nd, 1988: The Challenge

Sometime in mid 1987, Janet Harbison, who had recently established a harp summerschool in the Belfast's Linen Hall Library, was invited to arrange a concert of harp music in the Ulster Hall as the high point in the Bicentennial Celebration of the founding of the Library planned for May 1988. At this time, other than Janet and Derek Bell, the Belfast born harper with the well known group the Chieftains, there was an exceptionally small number of harp players in the Ulster province. The Linen Hall Library directors, however, were not to be content with two or three established solo performers. They issued Janet with a challenge - to fill the stage with young Ulster born players and to celebrate in song and music, the illustrious history of the harp in Belfast in the 1790s.

Janet enlisted 22 pupils and after intensive training and careful scoring, guest artistes Derek Bell and Helen Davies (Wales), arranged a full programme of harp music dating from the historic gathering of harpers in Belfast in 1792. With narration by B.B.C. personality Sean Rafferty, baritone Paul Nameer, and conducted by Dr Havelock Nelson, Janet lead the troupe through a concert programme of song and music to a filled Ulster Hall.

The success of the 1988 Ulster Hall concert challenge demanded an after-life. Janet looked toward the Bicentenary year of the Belfast Harpers' Assembly of 1792 (which was originally organised by the founders of the Linen Hall Library) for the launch of what was becoming known as the BELFAST HARP ORCHESTRA.

April 20th 1992: The Launch!

The BELFAST HARP ORCHESTRA was launched on Easter Monday, April 20th, 1992 with a concert in Cultra Manor, at the Ulster Folk & Transport Museum, Co. Down. This was the first performance in a two week concert tour of Ireland which was designed to introduce the harp playing youth of Ulster to the country at large, celebrating a vibrant tradition with its illustrious history and repertoire presented in pageant, song and music. Our first concert programme proposed to recreate the scene at the last great gathering of harpers in Belfast in 1792 when the few remaining professional minstrels were invited to assemble in the town to have their music noted down and preserved for posterity. Ten old harpers spent four days performing their tunes and recounting their memoirs to the young Edward Bunting, the scribe of the occasion, and four years later, the first of three major volumes of harp music was published. However, while preserving the melodies, the music was published in arrangement for the piano, as it was this instrument which replaced the harp in popularity in the course of the 18th century in Ireland. With the benefit of Janet's research into the original music manuscripts dating from the time of the Harpers' Assembly of 1792, it has been possible to retrieve much of the harper's music for today's young harpers, re-establishing it in the current repertoire allowing for its continuity in the living tradition.

Our First Concerts

Our first tour took us onward to Newry Arts Centre where the concert was broadcast live on B.B.C. Radio Ulster, then to Monaghan, Carlow and Dublin where the orchestra appeared, again live, on Gay Byrne's famous Late, Late Show. The following evening, and featuring the premiere performance of an original setting of St. Patrick's Breastplate, the orchestra performed in St. Patrick's Cathedral, Dublin. Onward again to St. Eugene's Cathedral Enniscorthy; Limerick; Inis Oírr (the most westerly island of the Aran Islands where the entire adventure was filmed for 'Cúrsaí' shown shortly afterwards on R.T.E. Television); Sligo's St. John's Cathedral; Omagh; Tempo; and St. Patrick's Cathedral of Armagh to finish.

The Chieftains, Alan Stivell and THE WORLD HARP FESTIVAL, BELFAST

Only ten days after the Irish tour, the orchestra to share the stage of the Ulster Hall with the world famous Chieftains for the top concert in the World Harp Festival, the prime celebration in the year of activities commemorating the Belfast Harpers' Assembly of 1792.

The final concert in the World Harp Festival in the Ulster Hall again featured the orchestra, this time sharing the bill with breton Alan Stivell, one of the leading harp figures in the renaissance of playing this century.

After the successful collaboration with the Chieftains on May 12th, the orchestra were invited to join them for a concert at the National Concert Hall, Dublin on May 23rd where a number of tunes were recorded and a combined album was considered. After another concert at London's Barbican Theatre on August 1st, two more tunes were recorded, photos taken and the collaboration formalised with the decision to release an album to be called "The Celtic Harp". This was released in March 1993 when the orchestra joined the Chieftains on tour in the U.S.A. during St. Patrick's Week.

Brittany, Milwaukee and Hampsey Harpers' Fest in Garvagh

But the BELFAST HARP ORCHESTRA, in the meantime, had its own plans to travel and perform in Brittany at the Dinan Harp Festival, the biggest folk harp festival in France in mid July, and at two other Breton cities. Later, in mid August, the orchestra traveled to the Milwaukee Irish Fest, by far the largest Irish American festival in the U.S.A. where an estimated audience of 20,000 people came to the orchestra's performances. It was here our first album recorded from the last two concerts on our Irish tour was launched, and 80% of the entire first issue was sold.

At Halloween time, the orchestra was featured at the first Hampsey Harpers' Festival at Garvagh near Coleraine in the course of a weekend of festivities celebrating the birthplace of the eldest of the harpers attending the Belfast Harpers' Assembly of 1792, Dennis O'Hampsey.

After a relatively dormant December, the orchestra sprung to life again in January with an almost completely new programme to practice, and six new members to train in. Our first exposé in 1993 was in mid February with a concert in Belfast, but our first big adventure was to join the Chieftains for a number of concerts during St. Patrick's Week in the U.S.A.

1993   To the U.S.A. with the Chieftains

Four concerts were scheduled for the BELFAST HARP ORCHESTRA with the Chieftains, but due to the severe snow-storms of 'St. Patrick's Hurricane' which raged on the East coast of the U.S. that week, the orchestra were prevented from taking off from Dublin Airport, and the concert in the Boston Symphony Hall had to be cancelled. However, the concerts in the Kennedy Centre, Washington DC, in New Brunswick, New Jersey and in the Carnegie Hall, New York, all received the orchestra with tumultuous response. The concert reviews were unreservedly positive, and the orchestra crested on a triumphant wave.

Down Patrick's Way...

On March 20th, the day after returning to Ireland, the BELFAST HARP ORCHESTRA gave a concert in Down Cathedral by the burial place of St.Patrick and for the occasion, a number of special and original items were featured in the concert programme. These involved the collaboration of two local choirs and cathedral organist, Michael McCracken. Also featured in the programme was the orchestra director's most recent composition, "Carillon", dedicated to Chieftains' harper, Derek Bell. "Live in Downpatrick" (BHO 004), the live recording of this concert and the third recording of the orchestra will be released in November 1994. St.Patrick's gravestone which lies just beside the cathedral door is featured on the cover of the album.

Easter at Edinburgh, Summer in Ireland

Over the first days of April 1993, Europe's largest scale folk harp festival the Edinburgh Harp Festival featured the BELFAST HARP ORCHESTRA in its prime concert in the Queen's Hall. This concert was met with tremendous acclaim, and the orchestra included a number of pieces illustrating the Scottish connection in some of Ulster's historical repertoire. The best received piece was the Ulster Epic which is a narrative piece of music telling of the downfall of the Scottish hero, Alisdair McColcitto McDonnell during the Cromwellian wars in Ireland in the1640s.

The orchestra's summer season included two concerts at the top Irish harp festivals: the Carolan Harp Festival (where the BELFAST HARP ORCHESTRA shared the bill with the Chieftains and De Danann) and the Glencolmcille Harp Festival.

A Christmas Cantata

In the Autumn of 1993, the orchestra embarked on another new project. Janet Harbison's Christmas Cantata, a seventy minute work for choir, soloists, harp orchestra and organ, received its première in Fisherwick Presbyterian Church on Belfast's Malone Road on December 3rd. The following day, the concert party moved to give the Dublin première at Christchurch Cathedral.

The Christmas Cantata is a setting of twelve old and two newly composed nativity carols in Irish, English and Latin worked into a full length, almost continuous score. For the first performances, the orchestra was joined by Methodist College (Belfast) Chamber Choir with SATB soloists and organist/choir master Dr Joe McKee.

The collaboration was a tremendous success and there is no doubt that the work will be performed many times again with various collaborating forces.

1994, The Declaration of Peace, the "Reverence for Difference" Award and expansion!

1994 brought new developments. In the Spring, the Belfast Harp Orchestra became the Harp Orchestra of Ireland Limited; Cláirseóirí na hÉireann became registered charity with the new title in English: "The Harp Foundation"; Belfast Harps became a commercial company acting as a management agency for orchestra members providing corporate and private entertainment; Belfast Harps also became a publishing company for the BHO productions as well as for other harping entities. Also, a 5 member daughter group of the Orchestra entitled Clarsheree (from the Irish word Cláirseóirí meaning 'harpers') was established and launched in Paris on March 17th. In July, Janet left her post at the Ulster Folk & Transport Museum to spend more time teaching her protégés and to working with all the organisations!

In the course of the Summer, the BELFAST HARP ORCHESTRA featured at a number of harp and music festivals in Ireland including the Carolan Festival at Keadue, Co.Roscommon.

Then, cease-fires were declared firstly by the IRA and subsequently by the loyalist groups and Northern Ireland was at peace for the first time in 25 years.

While the Harp Orchestra never directly set out to be an ecumenical force in the Irish music world, it became evident at an early stage that the playing of the instrument presented no difficulty to participating members of either community in Ulster. In other words, the playing of the harp was not tainted with the perception that it was the cultural utterance of one or other political tradition. As much of Ulster's music evolved from strong patriotic emotions on both sides, there was a deliberate policy of equal treatment. For instance, in the early Harp Orchestra programmes, two favourite pieces were "The Boyne Water" and "Limerick's Lament". These would always be played together and would be introduced with explanations that aimed to please and surprise. Could anyone ever have suspected that angelic Irish harpees would deign to play the most popular war march performed every July in commemoration of King William's triumph at the Battle of the Boyne in 1689? We did with relish, and the orchestra's arrangement was based on Edward Bunting's edition from his second collection published in 1809. Then the orchestra would perform the heart-rending lament of the harper Myles O'Reilly composed in the wake of the defeat of the Irish Catholic cause in 1691 at the culmination of the Williamite wars in Ireland. Because these tunes were played with equal intensity and commitment, they were exceptionally popular with our audiences. This gave us the courage not to avoid the highly political themes in choosing our programme - in fact, the choosing of these melodies offered more danger, drama and excitement!

Janet was informed that she would receive the "Reverence for Difference" award for the work of the Belfast Harp Orchestra at the Emy Awards ceremony of 1995. The award was presented by the Rev. Myles Kavanagh of the Flax Trust and funded by the International Fund for Ireland. On the occasion of the award ceremony, Janet was invited to take the stage along with James Galway who received the special life-times achievement award. The Reverend Myles had a special request for the finale of the evening's entertainment. He commanded a performance of the favourite air "My Lagan Love" to be performed by Janet with Soprano, Maureen Murphy and followed by the addition of some dance music played by two fiddlers, with an interruption and finale contribution from the Lambeg Drum played by dinner guest, George Holmes. It was a wild notion and the musicians barely agreed to the idea under duress - to start with - because, after the performance, the audience along with the musicians were stunned - and the standing ovation was unanimous!

The idea was born and the Belfast Harp Orchestra expanded to accommodate the Lambeg Drum for the piece: "Symphony". George Holmes, the heroic Lambeg Drummer, is also an accomplished bodhran player, so both instruments immediately found a relevance in the programme. Next, more prominence was given to the other instruments played by Orchestra members in the programme - and all that finaly remained to embrace was the Scottish Bagpipes.

The Harp Orchestra's first bagpiper was Ian Bryson of the Fieldmarshall Montgomery Pipe Band, the most acclaimed of Ulster's bands with a world-wide reputation of excellence.

The first public performance of the orchestra's new line-up was at the concert in Whitley Bay Playhouse in Newcastle-upon-Tyne in November 1995. This was a one-off concert as part of the Newcastle Irish Festival and constituted our first independant introduction to the British audience funded by the recently awarded grant of £20,000 from the British Foundation for Sports and the Arts.

1995, Trip to Bonn and Harp Orchestra Membership Open Weekend!

Our new year's programme opened with three concerts on January 4th in Down Cathedral, 5th in St.Bartholomew's Cathedral, Galway and on the 5th in Ballintubber Abbey in Co.Mayo. These concerts, in which we linked up with the magnificent and renowned Galway Baroque Singers, featured our CHRISTMAS CANTATA.

In June, the BELFAST HARP ORCHESTRA travelled to Bonn in Germany where they featured as the top act in the Bonner Sommer Festival, the Stadt Office Bonn's annual festival featuring one of the EEC countries in a cultural extravaganza. The Orchestra's impact in Germany was significant and generated a great deal of press coverage.

September and our first OPEN WEEKEND

The first Autumn gathering of 1995 featured an audition and reunion weekend in the magnificent setting of Kilmore House at Glenarriff in the Antrim glens. Three years on the road, and the orchestra has generated many new harpers and given much valued experience that has allowed new harper soloists to springboard their musical careers. It has also provided focus and encouragement to young harpers in their harping and created deep friendships and shared adventures. Janet established new harp schools in Newry, Garvagh and Londonderry. The Orchestra is currently in the position of considering the formation of a Junior Orchestra.

In October, the Orchestra gave the feature concerts of both the Carolan Festival in Nobber, Co.Meath and the Hampsey Harpers Festivals in Garvagh, Co.Derry to high acclaim. The Taoiseach himself attended the Carolan Festival concert and is now considering harp lessons for his daughter ...

A great deal of excitement was generated at Newcastle, and the Irish Society in London invited the orchestra to perform at St.James', Picadilly. A second tour was built around this invitation and the arrival of our first batch of "Carillon" provided the occasion for a spectacular launch.

The Launch of our first CD "Carillon" and on tour in the UK!

On October 31st, the Orchestra launched its first high quality own production in CD and cassette formats. The title track "Carillon" (meaning festive pealing of bells) was an original composition Janet composed and dedicated to Chieftains harper, Derek Bell. The launch reception met with tremendous occasion. The venue was the Belfast City Hall and a salubrious gathering of city and state personalities along with all the media including both BBC and UTV news-crews. The formal speech was given by Deputy Lord Mayor Alasdair McDonnell from whom we quote from his UTV interview: "We have to lift the best out of all traditions and that's what we're not good at. We're good at dividing, we're good at nit-picking, but we have to be prepared to lift and to work to all our strengths rather than to pick on our weaknesses - and this orchestra is doing exactly that. It's lifting pieces of music from right across the community." Geoff Harden, the Newsletter critic declared "a spectacular success story" and added "The Orchestra has been acting as a wonderful showcase for the music, song and performing talents of Belfast and Ulster around the world over the past three and a half years." (Newsletter 6.11.95).

At the last minute, Derek Bell found he was unable to attend the launch, but wrote a long letter to the orchestra from which we quote: "The CD Carillon is entirely professional, faultless, has perfect sound and acoustic presence and is highly delightful and charming. The music is wonderfully attractive, so intelligently arranged and laid out, and the performances are technically impeccable, neat and always most subtle, musical and expressive. It's fun to listen and imagine its only one harp playing for tuning and ensemble are so good that one can do just that, and one realises that if it were only one solo harp, then what the heck of a good player he or she might be!! This CD is now certainly one of the loveliest musical treasures we have. I expect it to automatically win many big prizes, to be very well received everywhere and to emboss [Janet Harbison's] illustrious name firmly throughout the world."

Later on the very day the Orchestra launched "Carillon", funded by the British Foundation for Sports and the Arts, they sailed for England. The first concerts were in the Irish Centres of Liverpool and Leeds and on November 3rd, the orchestra was officially received by the Lord Mayor of London at the Mansion House. On the 4th, they performed a short programme along with Clarsheree at the Hammersmith Irish Centre, but the highlight of the tour was the concert in St.James' Church, Picadilly (in London's West End) on November 5th, hosted by Irish Heritage, which drew the largest and most influential audience.

The orchestra began receiving invitations from various promoters and agents. The prominent British promoter, Roy Hastings, propositioned the Orchestra to undertake a relatively expansive concert tour of all of Great Britain.

During the months of preparation over the Christmas period and into the new year, the Orchestra performed in Glencolmcille, Co.Donegal; Larne, Co.Antrim and Newry, Co.Down and featured in various cross-community festivals. Janet toured to France to the Maubeuge International Harp Festival; and Clarsheree performed in Omagh before a dramatic tour to Scandanavia and the Gothenburg Irish Festival.

The 1996 UK concert tour schedule was intended as follows:

March 16 The Lyceum Theatre, CREWE
17        The Custom House Theatre, SOUTH SHIELDS (St.Patrick's Day)
18        The Lewisham Theatre, LEWISHAM

April  4  The Wycombe Swan, HIGH WYCOMBE
5          The Central Hall Theatre, CHATHAM
6          The Symphony Hall, BIRMINGHAM
7          The Venue, BOREHAMWOOD (Easter Sunday)
8          The North Wales Theatre, LLANDUDNO
9          The Concert Hall, MOTHERWELL
10        The Town Hall, FALKIRK
11        The Rothes Hall, GLENROTHES
12        The Victoria Theatre, HALIFAX

Everything was set, and tickets went on sale for the first leg of the tour in mid January. The promoter was delighted with early ticket sales and we were all looking forward to a successful tour and appearances arranged for Blue Peter, Talking Telephone Numbers and the Old Grey Whistletest. Then, the bomb went off in London's Canary Wharf on February 9th and shortly before our March departure, the second bomb in Lewisham.

The first consequence was that all our TV appearances were cancelled - and the next was that the ticket sales slowed to almost none and the feeling in Britain became very negative to all things Northern Irish. Nevertheless, we traveled, and gave phenomenally successful concerts to the audiences that came - but the audience numbers were disappointing, and the management of the Birmingham Symphony Hall had withdrawn all the publicity material, explaining that it was not ‘because they were worried about us, but about the "elements" we might attract in our audience’. They also suggested that we lose the name ‘Belfast’ in our title. We nevertheless performed – to a resounding standing ovation – for the people who had season tickets and who had bought their tickets before the bombings – The disappointment was enormous.

However, our name for now remains the same, and we continue to bring the heritage of Ulster to the world at large. The Summer continued with concerts in Lurgan in May and Cushendall in August.

The Cushendall concert was phenomenal. - as much for its triumphs against adversity: Firstly, 5 of the 8 orchestra soloists were indisposed for various reasons and guest stars were drafted in from the nearby Clough Orange Lodge (for the Lambeg Drum and Fifer); Brittany for the bagpiper (JeanPierre was attending the harp school); an old boyfriend of Suzanne's for her dancing partner, and a combination of 4 musicians replacing Patrick Davey who took very ill in the course of the week. Yet, the concert was exceptional and took Cushendall by storm.

The Irish National Harp Ensemble and "Spirit of the Dance"

Despite the disappointment following the breakdown of the cease-fires, the interest of another promoter who attended our High Wycombe concert bore fruit for the senior section of the orchestra in the Autumn. Five of our professional harpers (Michael Rooney, Dearbhail Finnegan, Suzanne McAlindon, Grainne Hambly and Maeve McGuinness with piper Barry Kerr from Lisburn set off to join the company of "Celebrity Entertainments" and the show "Spirit of the Dance". This was a show following in the Riverdance trail, focusing on world dance traditions including Cossack, Mongolian circus, ballet, rock'n'roll, modern and, of course, Irish dancing. We performed musical interludes in both halves of the show. This was a very successful collaboration, and the production broke all records for any UK theatre production in 1996.

In the wake of the unavailability of the old senior section of the Orchestra since they were away touring England, the orchestra took on a number of new members and gave them their baptism of fire in January 1997. The Orchestra performed in its greatest number ever at the Belfast Waterfront Hall on January 22nd, 1997 where it gave the 5th concert in the hall's Opening Festival....

Early in 1997, behind the scenes, much was happening. All the various harp activities were moving toward the moment they would amalgamate into one charitable Foundation ... But, new orchestra members were being trained in for their first concert on January 11th at Camphill Community, Glencraig, Co.Down. The Harp Orchestra's association with Glencraig, a community caring for mentally handicapped people, has been established for some years. Many of our rehearsals and launches of new concert programmes are performed here. Also, the recordings for our forthcoming album "Bright New Morning" were made there.

Featuring in the Opening Festival of the Belfast Waterfront Hall January 22, 1997

Also, the launch of the Harp Foundation (Ireland) Limited

The Belfast Harp Orchestra featured with guests:
World Champions: The Fieldmarshall Montgomery Pipe Band and Tommy Sands, Ulster's well-known folk singer and composer and Vedran Smilovitch, the Sarajevo Cellist

Belfast and Ireland's most significant cultural event of the century was the opening of the new concert hall in Belfast, built to the highest specification for a concert hall accommodating an audience of over 2,000. The Belfast Harp Orchestra were invited to participate in the opening festival and gave the 5th concert in the new hall. There were significant teething problems both technically as well as administratively as one could expect in such a new building, and Janet was suffering from a dose of 'flu, but the Orchestra triumphed and the reviews of our performance were phenomenal….

Also at the Belfast Waterfront Hall concert, the Harp Foundation (Ireland) Limited was launched at a corporate reception after the Harp Orchestra concert.

Newtownards and BBC’s Blue Peter!

In February, while the Orchestra was rehearsing their new work, there was one more concert in Newtownards with the Donaghadee Male Voice Choir on February 15, and on February 27, the Harp Orchestra featured on Blue Peter. This was recorded in the Banqueting Room of the Belfast City Hall and was considered to be a very successful feature for their programme. It was broadcast again on New Years' Day 1988 in Blue Peter's in the highlights of their year retrospective.

The real programme for 1997, however, was just beginning.

1997

Commemorating the 1400th anniversary of the death of Saint Columba, Ulster's Dove of Peace

1997 featured our special commemoration of the 1400th anniversary of the death of Ulster's most illustrious saint. St.Columba's significance pervades much of Ulster's history, geography and religion and our Columban Suite has enlightened all of us to Columba, his humanity, his leadership of the Celtic Christian church that was defeated by the Roman Christian church, his fascinating life-story of military exploit, exile, scholarship and peace-making. He was a man as much for our times as his own and his message has been well learned by all that performed or came to the Orchestra concerts.

The year commenced with the premiere of the Suite in Ballycastle at the Northern Lights cross community festival with the Ballycastle Choral Society. Then, it was performed on the anniversary weekend firstly at St.Columba's at Knock, Belfast and then in his own city of Derry at the Rialto Theatre. Various other concerts animated the year, and the finale was performed in great triumph on December 7th, St.Columba's birthday, with all the choirs that participated during the year at the Belfast Waterfront Hall. The year commenced on June 7th, the anniversary of his death and finished on December 7th, his birthday, marking a beginning of the next period of his commemoration where we live his message of peace perhaps.

                       

The concerts featuring our Columban Suite in 1997 were

May 24 - NORTHERN LIGHTS FESTIVAL, BALLYCASTLE
with the Ballycastle Cross Community Choir

June 7 - ST.COLUMBA'S CHURCH OF IRELAND, KNOCK, BELFAST
with the combined choirs of St.Columba's C of I Church, Knock and St.Colmcille's R C Church, Ballyhackamore

June 8 -   RIALTO THEATRE, DERRY
with the City of Derry Youth Choir

June 9  - DERRY GUILDHALL
for the inauguration of Seamus Heaney to the Royal Irish Academy. Featured the Premier of JH's work in homage to Seamus Heaney

June 11 - MAYO ABBEY with the Mayo County Choir

June 27 - SHAMROCK AND THISTLE FESTIVAL, BANGOR LEISURE CENTRE

July 1 - 5 - ST.COLUMBA'S CATHEDRAL, OBAN, SCOTLAND
with St.John's Cathedral Choir and the Oban Associated Choirs

July 5  - ST.COLUMBA'S CATHEDRAL, IONA, SCOTLAND

July 22 - ST.COLUMBA'S CHURCH, GLENCOLMCILLE, DONEGAL
with the Glencolmcille Festival Choir

August 15 - CUSHENDALL GOLF CLUB, ANTRIM GLENS with the Glens Choir

September 20  - ST.COLMCILLE'S, BALLYHACKAMORE, BELFAST
with the combined choirs of St.Columba's C of I Church, Knock and St.Colmcille's R C Church, Ballyhackamore

October 4 - NOBBER, CO.MEATH
with St.Killian's Choir, Mullagh, Kells (with whom we did the recording)

October 28  - ST.GEORGE'S CHURCH, HIGH STREET, BELFAST
for the Oireachtas festival, with the Queen's University Chorus, Belfast                     

December 7  - BELFAST WATERFRONT HALL
for the final concert in the Columban year with a massed choir of 200 singers from the Ballycastle Cross Community Choir, The Brow of the Hill CBS Male Voice Choir, Derry

Glencolmcille Festival Choir, Mayo County Choir, The Glens Choir (County Antrim),

Queen's University Chorus, St.John's Cathedral Choir, Oban, Scotland, St.Colmcille's RC Parish Choir, Ballyhackamore, Belfast, St.Columba's Cof I Parish Choir, Knock, Belfast

 and finally, the choir featured on our recording of the work, St.Killian's Choir, Kells.

Also

Colmcille, The CD - The album was launched by The Rt Honourable, the Lord Mayor of Belfast, Cllr Alban McGuinness at the Belfast City Hall on December 4th, 1998. It was presented to the public on December 7th at the Belfast Waterfront Hall.

1998

A new year, new members and new developments...

At the end of the Columban series of concerts, the Harp Orchestra was open once again to new members and over 20 hopefuls applied to be auditioned in February. 12 new members were taken on and rehearsals were commenced in February....

Harp Foundation Support Groups start up in the U.S.A.

Also from February and Janet's visit to Savannah, Georgia, the Harp Foundation inaugurated its "Adopt a Harper" programme. This programme is a fund raising exersise to assist our young harpers in Northern Ireland that for various reasons, need financial assistance and special support in their harping endeavors. A number of support groups were set up in the USA, each raising money and a number of our students had their tuition, harp orchestra membership, costume and travel expenses funded - and in two cases, their instruments.

A difficult legacy from 1997

The Harp Foundation had financial difficulties in 1997 when a marketing company we engaged to look after our corporate PR and sponsorship fell foul of a corporate take-over and charged us exorbitant consultancy fees. Even after we terminated our relationship, the company continued to charge us monthly fees. In November '98, the case came to court and we were exonerated. In the course of those months however, we needed to release our staff and Foundation activities resumed from Janet’s home until in early July '98 when we were in a position once again to bring office support on board. Also, with Janet’s award from the Flax Trust (Reverence for Difference 1998), with funding assistance from Belfast City Council, the Belfast Harp School moved into a suite of offices in Brookfield Mill. On one entire wall of the room, we mounted a notice-board featuring all our posters and member's photos - snaps of orchestra members with Ronan Keating of Boyzone, with Brian Kennedy, with President of the Republic of Ireland, Mary McAleese, and many more.

February in Kilmore, on BBC in March: The BHO feature in the interval film for The Young Musician of the Year Competition

The Belfast Harp Orchestra was extremely chuffed to be invited to be featured in the Interval Film for the BBC Young Musician of the Year finals staged in Belfast in March 1998.   The film was prerecorded at Kilmore House, one of our usual haunts for a residential rehearsal and during the weekend of the freak snowstorm at the end of February. Under the direction of Ian Kirk Smith, the BBC filmed us in rehearsal, and taking a break walking up the magnificent Glenariff waterfalls... The film finished with a performance by the whole orchestra of "Bright New Morning" at the Ballyearl Arts Centre. The finished product was truly magnificent and a wonderful exposition of our talent and story. Some copies are available for viewing from the office.

March 28th, and the first FESTIVAL OF BARDS at Limavady

With generous funding from Templemoyle Care Homes matched with funding from ABSA, this festival was established to commemorate the "Bardic Convention of Drumceat" where St Colmcille presided over a great gathering of Ireland's bards who were in dispute with Aed Mac Ainmeireach, the high King of Ireland. St.Colmcille's peacemaking achievements were legendary and for a single year, he returned from his exile on Iona to mediate a settlement. Colmcille was also known to be a bard himself, and a number of examples of his poetry survive. He was also a great singer of the psalms, and the focus of this festival is on the bardic heritage of Ireland. Thus the main focus of this event was jointly on the sacred and secular poetic heritage of Ulster as well as the harping history. The Radisson Roe Park Hotel was chosen as the venue in Limavady because it is just outside the front door of the hotel that there is a mound marking the original venue of the Drumceat Bardic Convention in 575AD.

The festival ran through a Saturday; the main activity of the afternoon involving harpers and poets presenting performances of their own works to their peers and public. Then the festival hosted a great debate on the issue: "The role of the modern bard". The panel comprised Ulster's most outspoken arts critics, historians, poets and harpers including Edna Longley, Brian Lacey, Tom Clyde, Frank Ormsby, Frankie Sewell, Janet Harbison and Michael Longley. The proceedings of this debate were recorded and it is hoped to publish them at a later date. The evening programme featured a banquet and gala concert featuring the Harp Orchestra (naturally!) and many of Ulster's leading poets reading from their works. Mark Currothers of the BBC and chief bards, Janet Harbison (of the harpers) and Michael Longley (of the poets) presented the entire proceedings.

Glencraig, Markerey Castle, Sligo and the 1798 Commemoration in Downpatrick

In April, the orchestra performed concerts for the International conference of the Camphill Communities at Glencraig and then the 1798 commemoration concerts kicked in style. The first of our commemoration programme concerts was given at Markerey Castle in Sligo and in May at the Down County Museum in Downpatrick, one of the most significant venues of the 1798 rebellion itself.

Tour of the Junior Orchestra to the Scottish Highlands

Great excitement was had and great music performed by our new Junior Orchestra section of 15 players - the new 12 members with three members of the Intermediate and senior sections. Janet, George Holmes and Seamus Gallagher were the intrepid drivers and concerts were given at the Highland Harp Festival at the Eden Court, Inverness; the Highland Folk Park at Kingussie; Fort Agustus Abbey and at the Findhorn Foundation.

The BELFAST HARP FESTIVAL goes INTERNATIONAL with the Harp Orchestra and Rudiger Oppermann

On the last weekend in June, the Harp Foundation hosted what was a small-scale teaching festival, which started in 1986 and ran up to 1992 in Belfast's Linen Hall Library. After this, it was discontinued as there was not an adequate venue in Belfast (for parking or residency) and our out-of-town festivals provided for all our harping affairs. However, Belfast is the venue of most historical significance to the Irish harp and in 1997, the Harp Foundation hosted a "Festival of Performance" in Belfast's new and most prestigious venue, the Waterfront Hall (BT Studio) featuring a series of concerts of the work of Foundation harp schools in Ireland, each presenting their own (15 minute) programmes directed by their respective teachers. This was a most successful event even though two harp schools from below the border decided not to travel at the last minute as there were bad political disturbances in Ulster during the day. The event proved itself to be very popular, so ambitious plans were laid for 1998. This year, the festival expanded its perametre to embrace an international artist to collaborate with the Harp Orchestra for the festival concert. Rudiger Oppermann and his band came from Germany and stunned everybody with his mix of ethnic harping from Asia, Africa and the rock traditions - and the finale with the Harp Orchestra of his piece "Jardin des Roses" will live in our memories for ever!

To Áras an Úachtaráin for "The 12th Day"

The Orchestra was invited to feature in the President of Ireland, Mary McAleese's special acknowledgment of the Ulster commemoration of "July 12th". With a number of other significant artistes including the Ballygowan Flute Band and Galway fiddler Frankie Gavin (from the group De Dannann), the Orchestra performed their "Ulster Symphony", "Bright New Morning" and "Lilliburlero" to an enormously appreciative audience. However, what was expected to be a fun day-trip turned into a 3 day epic journey as the political weather was extremely stormy at the time. For fear of not getting over the border, we departed Ulster on the 10th and braved the enormous exodus of people from Northern Ireland. The journey of 21/2 hours took almost 7 hours - but with all the drama, we had a wonderful weekend away from the horrors of life in the North and Mary McAleese was well pleased with us. After our concert, our Lambeg Drummer, George Holmes got into a great session with the leading fifer of the Ballygowan Flute Band and, joined by Frankie Gavin, a most memorable collaboration of forces was forged.

Recording and filming for POLYGRAM's "CELTIC HARPISTRY"

In early July, the senior section of the Harp Orchestra went into studio to record 3 tracks for a compilation album entitled "Celtic Harpistry". The orchestra provided 5 tracks for the album with a licensing of two already published on our own 1995 album: "Carillon" and "The Brian Boru Set". The others included a special arrangement of the theme from "Titanic" which was a lot of fun to perform. Also included was two other original works not yet recorded: "A Walk on Cavehill" renamed "A Walk in Belfast" for the project (which became the title track) and another of Janet's original works: "Bright New Morning" which has been the orchestra's vibrant siren tune celebrating peace, or at least the hope of it, in Northern Ireland.

The video accompanying the recording was also produced as a television programme for PBS (Public Broadcasting Service) in the US, so the programme and its music reached a phenomenal audience. It was filmed at Lismore Castle in Waterford, and we got the star treatment: staying at the Gold Coast Hotel, and the sun shone throughout the 4 days of filming. As a result of the PBS programme, the sales of the album have soared to over 100,000. This collaboration with Polygram arose from a single harp solo track entitled "Love's Comfort" that Janet contributed to a first "Harpistry" album released by Polygram in January 1998.

Summer concerts and into the Autumn

The Orchestra featured at a number of the well known summer harp festivals including the Fiddler's Green (and Rostrevor Harp) Festival in July and our own Harpfest at Cushendall in August. The Autumn programme featured concerts in at the Limavady Folk Festival, the Hampsey Harp Festival, the Ballymena Arts Festival and a special concert hosted by the Dallan Lady's Choir of Warrenpoint all in October!   In November, we had our AGM on the 21st and on the 28th we performed a very special concert for the Omagh Bomb Fund featuring the premier of a new work by Janet entitled "Lament for Omagh".

1999

Janet and the orchestra took a well earned break in January and February getting started back in earnest in March with rehearsals for the new year's programme entitled "Harping into the Millenium". A busy concert schedule started in June with performances including the Harp Foundation's Belfast Harp Festival at the Waterfront Hall, then a return concert at Limavady College opening our second FESTIVAL OF BARDS and marking the opening of the college's 90th anniversary celebrations. The Columban Suite was performed commemorating St.Columba's Day with the orchestra and all the original soloists in Limavady's oldest church, Christ Church, with the combined choirs of the Anglican and Roman Catholic churches and Termoncanice Primary School. Finally, on June 12, the Orchestra gave a full concert programme and then dispersed to prepare for the summer tour...

BHO Tours to Brittany

Setting off before the drama of the July disruptions in Ulster, the Orchestra packed its bags, donned the new T shirts and headed off on bus for Chateaubriant in Brittany. While taking in a number of high profile concerts, the trip primarily constituted a cultural exchange funded by the European Inter-regional Fund after the Breton harp organisation's first expedition to our Harpfest summerschool in 1998. It is expected that each year henceforth, that the Breton harpers will come to Ireland or we will visit Brittany... The most significant of our concerts in Brittany was given at the Rencontres Internationale de l'Harpe Celtique (International Harp Festival) at Dinan in Northern Brittany on our third day at which we completely sold out of our entire stock of merchandise. It was a phenomenal and magical concert that will be long remembered by all there.

Back in Ireland, the orchestra featured for a third time as top bill in the O’Carolan Harp Festival in Keadue, Co.Roscommon. While rehearsing before the concert, the Cardinal Cahal Daly came to visit and expressed his delight - so we expect we might be invited to participate in the church's Millenium festival of 2000.

September: Filming with the Chieftains - and another recording

The Chieftains are enjoying their veteran status now with various "retrospective" films honoring their achievements over the years. We were invited to feature on their retrospective "TV Special" and Kilmore House was once again chosen for the feature. We performed only one music item with them, a Carolan tune entitled Planxty George Brabazon, which was so good that they have since invited us to allow them use the recording for their forthcoming album. Naturally, we said yes!

Hallowe'en and another Open Weekend for new Orchestra members

Glencolmcille's Old Rectory was the spooky venue for our spookiest Hallowe'en weekend yet! A number of new members auditioned and the orchestra has taken on 4 new bodies...

Munich Philharmonic Hall, December 22nd   and a new orchestra is born –

The Irish Harp Orchestra

Janet was on tour as a solo artist in Germany, Austria and Switzerland from mid November 20th to December 21st performing with German / Celtic rock star and harper, Rudiger Oppermann. Just a day after this tour ended there was a concert engagement for the Belfast Harp Orchestra in the Munich Philharmonic Hall. As there was no time for Janet to fly home and then fly back with the orchestra, Janet assembled a group of experienced graduate members of the Belfast Harp Orchestra to travel out and meet her in Germany. The 2,400 seater Munich Philharmonic Hall “Irish Christmas” concert featured this new Orchestra group with a German Irish dance school – and the seats were all sold out 3 weeks in advance of the concert. The concert was a phenomenal success, and so pleased was the concert promoter, that this new orchestra has been engaged to do a 10 day German wide concert hall tour in December 2000.

Starring on BBC’s Millennium Celebration with Brian Kennedy

And, lastly, seeing in the Millennium on BBC's Millennium Celebration programme going UK wide with pop star BRIAN KENNEDY! After one full day's rehearsal and recording, the BHO performed "Carrickfergus" from the rotunda of the Belfast City Hall. This was a wonderful event, and once again a tremendous privilege to be invited to perform. Working with Brian was a real treat!

YEAR 2000, and Millennium Celebrations

Celebrating 2000 years of Christianity, this year's programme comprises mainly sacred music which we will perform throughout Ireland and Scotland and mostly in churches. The year's programme starts in Down Cathedral for the millennial celebration of Saint Patrick. This was a particularly special event as almost four hundred of the world’s most eminent Anglican clergy (including bishops) were present at the service. (St Patrick’s grave is just beside the Cathedral). Later that day and the following day, the Orchestra performed at the Gilford Castle Fairy Folklore Festival. At 10pm on St.Patrick’s evening, a particularly beautiful BBC TV programme entitled “On the Lough Shore” was broadcast from Carrickfergus Castle featuring top Irish acts, including ourselves.

Final Dates

May 29            Blue Peter       

June 23rd        Midsummer Concert: Ballykelly        

July 1-13         Tour to Scotland

More to be reported on these events including Janet’s award of Honorary Doctorate from the University of Ulster for her work with the harp in Northern Ireland.

Year 2001

The troubles came to Quinville, next door to Janet’s home and the Harp Foundation offices when her neighbours were fire-bombed. With much regret, Janet decided to leave Northern Ireland, to rebrand the Belfast Harp Orchestra to the Irish Harp Orchestra (now with management in Munich, Germany); to open a permanent Irish Harp Centre for the orchestra and the school going forward – and to start a new chapter with the Irish Harp in the Republic of Ireland…..

Final concerts with the Belfast Harp Orchestra…(to be completed)

 


Members and Guest Artistes 1992 – 2002

Soloists

Terence Blackburn (Baritone) * Mairead Healy (Soprano) * Antaine O'Donnaille (Narrator)
George Holmes (Lambeg Drum & Bodhran) * Joe McGinnis (Bodhran)
Ian Bryson, Stephen Kirkpatrick, Damian Noade, Martin Lennon (Scottish Bagpipers)
Patrick Davey, Ciaran Brady, Martin Lennon, Barry Kerr (Uilleann Pipes and Flutes)

Harpers

Roisin Bonner (Derry) * Ciaran Brady (Belfast) * Edel Brady (Belfast) * Ciaran Brady (Belfast), Christine Brady (Belfast) * Dearbhla Finnegan (Kells, Co.Meath) * Padraigin Caesar (Carlow) * Siobhan Caesar (Carlow) * Emily, Benita, Tara & Margo Cullen (Carrick-on-Shannon, Co.Leitrim) * Paul Dooley (Dublin) * Holly Geraghty (Claremorris, Co.Mayo) * Mernie Gilmore (Belfast) * Bronac Gallagher (Newry, Co.Down) * Gráinne, Niamh & Róisín Hambly (Mayo Abbey, Co.Mayo) * Barbara Haugh (Crumlin, Co.Antrim) * Declan Hegarty (Derry) * Mairead Hogg (Tuam, Co.Galway) * Aileen Kennedy (New Ross, Co. Wexford) * Lucy Kerr (Garvagh, Co.Londonderry) * Lucia, Joe & Maureen McGinnis (Greysteel, Co.Derry) * Esther McKimm (Belfast) * Nadia Markey (Monaghan) * Orlaith McCaul (Derry) * Vanessa Murphy (Derry) * Helene McCann (Portadown) * Suzanne McAlindon (Antrim) * Emer McLaverty (Moville, Co.Donegal) * Maria McGowan (Ballycastle, Co.Antrim) * Sorca Kelly (Monaghan) * Deirdre Macklin (Monaghan) * Emer McCaffrey (Belfast) * Michelle Mulcahy (Abbeyfeale, Co.Limerick) * Suzanne McAlindon (Crumlin, Co.Antrim) * Aideen & Keeva McClelland * Emma McClelland (Antrim) * Maeve & Una McGuinness (Derry) * Julie McNeill (Antrim) * Brenda & Eleanor Meehan (Monaghan) * Una Monaghan (Belfast) * Brian Quinn (Portadown, Co.Armagh) * Michael, Fionnuala & Aonghus Rooney (Scotstown, Co.Monaghan) * Claire & Jennifer Shane (Greenisland, Co.Antrim) * Selina Smith (Antrim) * Aidan McParland (Portadown) * Claire Creelman (Antrim) * Catherine & Margaret Rhatigan (Cliffony, Co.Sligo) * Katheryn & Susannah Weir (Garvagh, Co. Londonderry) and more.

Guest Artistes

The Chieftains * Brian Kennedy * James Galway* Maureen Murphy * Alain Stivel
Fieldmarshall Montgomery Pipe Band
Tommy Sands & Vedran Smilovitch (the Cellist of Sarajevo)
Alfie Boe
And many choirs, other music, dance and theatrical groups of Ireland, Scotland, Germany, France


What People Said

"As Riverdance popularised Irish dancing and Brendan Voyage brought the uilleann pipes to a wider public, so the Belfast Harp Orchestra is animating a huge interest in the Irish harp. And it's almost entirely due to Janet and her modern mix with tradition...."

Anne Hailes, The Irish News, 22.1.97

 

"There is , perhaps, no other event in the opening festival of the Belfast Waterfront Hall which reflects so accurately the wishes of the organisers that the prestigious new venue should provide something for everyone in our divided community as much as .. the concert by the Belfast Harp Orchestra, with guests Tommy Sands and the Fieldmarshal Montgomery Pipe Band. While uniting the audience in an evening of music, song and dance, the seemingly opposing elements of our musical traditions .. also unite with one another in a universal celebration of cultures."....    

Damian Murray, Music Critic, Irish News, 17.01.97

 

"a spectacular success story" ...

"Janet Harbison is an indomitable lady. Having assembled a cast of more than 70 for the Belfast Harp Orchestra's showcase at the Waterfront, she was not going to let a serious dose of 'flu stand in her way ..... [the whole cast] more than achieved their stated aim of presenting the music, song and dance of Ulster in magnificent fashion."

Geoff Harden, Music Critic, Newsletter, 23.1.97

 

"The Belfast Harp Orchestra are carrying on a long association between the harp and the city [of Belfast]. They have performed to great acclaim in France and America and have just returned from a tour of England. Their presiding genius is Janet Harbison who is one of Ireland's most accomplished - and I can say, radical traditional harpists. "

Sean Rafferty, "29 Bedford Street", BBC, 12.11.95

 

"We have to lift the best out of all traditions and that's what we're not good at. We're good at dividing, we're good at nit-picking, but we have to be prepared to lift and to work to all our strengths rather than to pick on our weaknesses - and this orchestra is doing exactly that. It's lifting pieces of music from right across the community."                                 

Alasdair McDonnell Deputy Lord Mayor of Belfast
SDLP, Belfast City Council, UTV News, 1.11.95

 

"The CD Carillon is entirely professional, faultless, has perfect sound and acoustic presence and is highly delightful and charming. The music is wonderfully attractive, so intelligently arranged and laid out, and the performances are technically impeccable, neat and always most subtle, musical and expressive. It's fun to listen and imagine its only one harp playing for tuning and ensemble are so good that one can do just that, and one realises that if it were only one solo harp, then what a great player he or she might be!! "This CD is now certainly one of the loveliest musical treasures we have. I expect it to automatically win many big prizes, to be very well received everywhere and to emboss [Janet Harbison's] illustrious name firmly throughout the world."    

Derek Bell, Harper with the Chieftains, 26.10.95

 

"Janet Harbison: the human dynamo dedicated to spreading the gospel of the harp"

Geoff Harden, Irish Music Magazine, Vol.1 No.8, 1996

 

"Janet Harbison is one of Ireland's greatest champions of harp music..."

 Sean Rafferty, BBC, 20.6.97